“Think: The Mars Volta before it went off the prog deep-end, Nine Inch Nails' sonically-dense-yet-accessible electronics and latter-era Dillinger Escape Plan's WTF experiments. Scalzo's impressive voice lands somewhere between James Hetfield and Mike Patton, melding the weirder inclinations of the latter into arena-ready gruff of the former. Kitchen-sinky stuff like this can be a lot to take in, but Oblivion never forgets to be outrageously fun.”
— Lars Gotrich, NPR Music

“Completely stunning. It’s really on another level from any of the music I listen to, make, or even understand. The music is progressive, metallic, symphonic, heavy, delicate…all things that I dig, but the approach and the results just exceed my bandwidth…and these may be Ron’s best vocals ever.”
— The Humble Ax Man

“Such a cool freaking album. There is an energy no other band I know has. Structure is eschewed, comfort is a luxury, and few songs have a chorus. This is a grower. Once you stop trying to put it into a box, you'll soon have yourself listening front to back on the regular.”
— Big Hisses